fox girls and ghost girls and pretty pirates

Aubrey Jo. 24 year-old writer from Ithaca, NY. I am an autumn girl and a calico girl and a monster girl. I like badass ladies, fantasy and science fiction and superheroes, furry animals (and scaly and slimy and feathered ones as well), and all sorts of things guaranteed to give people nightmares.
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Posts tagged "Black Widow"

ferrific:

zarquonwhatwasthat:

I bet Black Widow doesn’t care if she has a thigh gap or not.

as long as she can crush your head between her thighs she’s alright

(via thewaroffivequeens)

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starkoholic:

weinersoldier replied to your post

did ANYONE have a good first comics experience though, isn’t it supposed to be terrible like losing your virginity I mean it’s not like Watchmen laid out a fucking blanket and candles and shit for me

Man, IDK what you’re talking about. I got Sandman and Name of the Rose. Pretty sure I win at this game.

(via scratch-the-maven)

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sairobee: I posted this last night and promptly decided I hated it so I deleted it and now I like it again? Haha, oh man. SORRY. Anyway — a close-up from a WIP.

sairobee:

I posted this last night and promptly decided I hated it so I deleted it and now I like it again? Haha, oh man. SORRY. Anyway — a close-up from a WIP.

(via cyborgcap)

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scratch-the-maven: notahedgehog: She will not become that girl again. (Hey look it’s transparent) #marvel give her some love pls #someone address the hell she just went through #someone address the gaping two years riddled with holes in her memory

scratch-the-maven:

notahedgehog:

She will not become that girl again.

(Hey look it’s transparent)

#marvel give her some love pls #someone address the hell she just went through #someone address the gaping two years riddled with holes in her memory

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(via bartonsnethers)

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sharoncarters:

WIDOWTHIRTEEN | marvel give me this comic

↳ by matt fraction and ed brubaker, art by david aja

they are international spies kicking ass and taking names; they’ve got flying cars, guns, stiletto heels, and a thing for patriots. natasha romanoff and sharon carter, have a lot more in common than working for an SHIELD and their turn as secret avengers. disclaimer: no puppies were hurt in the making of this comic pitch. 

(via comicqueens)

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fuckyeahblackwidow: Jan: Okay, it’s a biplane. Do you know how to fly a biplane? Wait… don’t answer. Of course you do. You speak every language. You fly every plane.Natasha: It is all just information. Easy to control. Hold tightly, if you please. We are going to have trouble. From Black Widow and the Marvel Girls #2, by Paul Tobin and Jacopo Camagni.

fuckyeahblackwidow:

Jan: Okay, it’s a biplane. Do you know how to fly a biplane? Wait… don’t answer. Of course you do. You speak every language. You fly every plane.
Natasha: It is all just information. Easy to control. Hold tightly, if you please. We are going to have trouble.

From Black Widow and the Marvel Girls #2, by Paul Tobin and Jacopo Camagni.

(via stevesnotepad)

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ms-romanov:

Natasha: You are naive and that will get you killed. You think what I did was cruel, but it is nothing compared with the savagery of our business…I wanted you to understand, finally, what it meant to be a spy. We are not Daredevil or the others, Yelena. We are not heroes. We are tools. And tools get used. I had to make you see that.

Yelena: Tell me, Natasha…if I pull the trigger, will I kill me too?

Natasha: No. Only me. You will survive.

Yelena: Give me back my face, witch.

- Black Widow, Breakdown vol. 3

(Natasha has SHIELD switch her and Yelena’s faces.)

(via scratch-the-maven)

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dazzledfirestar: Oh yeah. Natasha hates her. Obviously. /sarcasm

dazzledfirestar:

Oh yeah. Natasha hates her. Obviously. /sarcasm

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(via historymiss)

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There are wolves, they would say. And there are stories about wolves and girls. Girls in red. All alone in the woods. About to get eaten up. Wolves and girls. Both have sharp teeth.

(via freudianslipped)

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Tolstoy will live forever. Some people do. But that’s not enough. It’s not the length of a life that matters… just the depth of it. The chances we take. The paths we choose. How we go on after our hearts break. Hearts always break. And so we bend with our hearts, and we sway, but in the end… what matters is that we loved… and lived.

(via stevesnotepad)

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comicqueens: Black Widow by Protokitty

comicqueens:

Black Widow by Protokitty

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philnoto: Natasha and Clint

philnoto:

Natasha and Clint

(via ucarim-moved)

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fuckyeahblackwidow: Maki: Sumi. He said you’d… contact me. Now who’s… predictable?Natasha: Funny. Did he give you a message?Maki: He said you… already got it. Now… give me… urkNatasha: Yes. I got the message. You know, I lied. You’re not going to suffocate. Not from the poison, anyway. But thanks to the paralytic working its way through your body, everyone is going to think you’re dead. Long enough for you to be buried. And I will make sure you’re buried, Maki. Nice and deep, unmarked grave. Scream all you like on the inside. Fight to move. Pray. You’re in my prison now, Maki. Remember that, the next time you come after my friends, and their families. Killing people is easy. Making them suffer is an art. This is Liu’s Natasha at her most cruel, her most savage. More than any other modern writer, Liu really detached Black Widow from the perfectly programmed secret agent mythos; the cold, precise automaton. Liu’s Natasha is anything but unfeeling. What that means is: Natasha isn’t scary because she’s killed her own emotions. What that means is: she’s scary because she feels every second of this, but does it anyway. Poor Lady Bullseye. From Black Widow #4, by Marjorie Liu and Daniel Acuña.

fuckyeahblackwidow:

Maki: Sumi. He said you’d… contact me. Now who’s… predictable?
Natasha: Funny. Did he give you a message?
Maki: He said you… already got it. Now… give me… urk
Natasha: Yes. I got the message. You know, I lied. You’re not going to suffocate. Not from the poison, anyway. But thanks to the paralytic working its way through your body, everyone is going to think you’re dead. Long enough for you to be buried. And I will make sure you’re buried, Maki. Nice and deep, unmarked grave. Scream all you like on the inside. Fight to move. Pray. You’re in my prison now, Maki. Remember that, the next time you come after my friends, and their families. Killing people is easy. Making them suffer is an art.

This is Liu’s Natasha at her most cruel, her most savage. More than any other modern writer, Liu really detached Black Widow from the perfectly programmed secret agent mythos; the cold, precise automaton. Liu’s Natasha is anything but unfeeling. What that means is: Natasha isn’t scary because she’s killed her own emotions. What that means is: she’s scary because she feels every second of this, but does it anyway. Poor Lady Bullseye.

From Black Widow #4, by Marjorie Liu and Daniel Acuña.

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